| Renowned American painter Arshile Gorky | | | | the unevenness away, before applying the subsequent |
| (1904-1948) was an innovative artist who added new | | | | coat, giving it an ivory smooth finish. This work was an |
| dimensions to the conventional art scene. His creative | | | | artistic recreation of an original black and white picture |
| career can be divided into various phases and styles. | | | | of his mother and him, dated 1912. |
| Arshile sequentially adopted 'Impressionism,' | | | | In "The Artist and His Mother," Gorky removed the |
| 'Post-impressionism,' and 'Cubism,' before eventually | | | | floral pattern of his mother's dress, painting it pure |
| venturing into 'Surrealism.' His adroit creativity and fertile | | | | white to symbolize her sacred heart. She is shown |
| imagination made his art the most consequential | | | | seated in the same posture as in the original |
| inspiration for 'Abstract Expressionism.' Gorky's | | | | photograph. In the representation of his own figure, he |
| masterwork, "The Artist and His Mother" is considered | | | | has done away with some minor details, such as the |
| one of the most powerfully emotional works ever | | | | buttons of his overcoat, the handkerchief, the details of |
| produced. | | | | the flowers, and the shoe type. The entire piece is |
| The understanding of this piece cannot be complete | | | | made in earthy overtones, which along with the sad |
| without knowing the life history of Arshile Gorky. At a | | | | and the expressive eyes of the duo, is the |
| tender age, he, along with rest of his family of three | | | | representative of the ordeal and the endless agony |
| sisters and mother, was deserted by his father, who | | | | they were undergoing then. In fact, the eyes in the |
| fled under political pressure. Gorky tried to flee to | | | | painting carry greater pain than the original picture, an |
| Russia with his entire family to avoid being the victims | | | | embodiment of the afflictions that they suffered after |
| of the 'Armenian Genocide' in 1915. Malnutrition struck | | | | it was shot. Inspired by the structure of lips he saw in |
| his family during a 'death march,' ordered by the | | | | one of the stone reliefs at a local church, Arshile |
| anarchist Ottoman Empire, through the Syrian Desert | | | | manipulated the shape and the position of his mother's |
| and later due to the lack of resources. In their | | | | lips a bit. Another significant aspect of the work is the |
| penurious state, Gorky's mother died of hunger in 1919, | | | | hands, which are 'whitewashed' and 'Symbolically' |
| a loss that he could not get over throughout his life. To | | | | removed. It is left open to discussion, as to what Gorky |
| helplessly see his mother dying in his arms became the | | | | wanted to convey through it. Considering his sensitivity |
| greatest influence in his work as an artist and in the | | | | towards the portrayal of his mother, it is believed to |
| generation of "The Artist and His Mother." | | | | signify that he had become deprived of the loving |
| Gorky painted two versions of "The Artist and His | | | | touch of his mother's hand forever. |
| Mother." He started both the versions in 1926, with one | | | | From the sheer dedication and efforts Gorky made, |
| finishing in 1936 (currently at Whitney Museum of | | | | his paintings, including "The Artist and His Mother" |
| Modern Art, New York) and the other one in 1942 | | | | centering on his mother are exemplary of their |
| (currently at National Gallery of Art, Washington). The | | | | sentimental value for him. He wrote to his sister |
| 1936 version gained greater recognition. It is medium | | | | Vartoosh in October 11, 1946, "Vartoosh dear, my |
| sized, oil on canvas portrait set in 60" X 50" frame. | | | | Armenian portraits you understand well, I am sure - for |
| One of the most distinguished features of the painting | | | | eyes are the soul of portraiture, the prime |
| is that there are hardly any visible brushstrokes. Gorky | | | | communication between artist and those who view his |
| adopted a very tedious process to create this work. | | | | work. |
| After drying a coat of paint, he would carefully scrape | | | | |